
Fantastic Four: First Steps builds a visually rich and thematically cohesive world that feels both distinct from and organically tied into the broader MCU. From the outset, the film nails the tone with a curious blend of optimism, scientific wonder, and familial tension.
The Baxter Building is reimagined as a sleek, vibrant hub of innovation, and the film’s overall design-from Reed’s shifting tech to Sue’s luminescent shield work-offers a visual clarity that supports the characters’ growth. Director Hamed Karam delivers a world that feels lived-in but unexplored, teasing deeper corners of the Marvel cosmos.
Much of the movie’s strength lies in its tone-a measured departure from recent multiversal chaos. It plays like a confident, focused origin story with a retro-futuristic edge, establishing the team’s dynamic without relying too heavily on external cameos. Vanessa Kirby as Sue Storm delivers a nuanced, compelling performance, grounding the group emotionally. She balances strength and vulnerability with ease, offering a human center around which the chaos revolves. Pedro Pascal, playing Reed Richards, surprises with a higher, slightly nasal vocal register-reportedly a choice tied to his character’s appearance in the next Avengers film. It’s an unexpected but fitting tweak that reinforces Reed’s off-kilter genius.
Where the film falters is in its plot structure. The narrative unfolds in a somewhat fragmented way, frontloading its emotional stakes and scientific intrigue before shifting gears awkwardly in the final act. This leads to a rushed confrontation that feels unearned.
The pacing stutters, especially when it tries to juggle intimate character beats with cosmic consequences. Most disappointing, however, is the treatment of Silver Surfer and Galactus. Introduced with awe and visual grandeur, both characters are underutilized, more myth than menace – but at least fare better than I previous iterations. Whilst their presence looms large, their actual impact on the story is surprisingly minimal, hinting at future installments rather than enriching this one.
Despite these shortcomings, First Steps remains an admirable attempt to reintroduce Marvel’s first family. The groundwork is solid, the tone is refreshing, and the film clearly has long-term plans. But as a standalone story, it feels less like a leap and more like a measured step toward something greater. Fans may walk away intrigued, if not fully satisfied. Sorry for all the walking puns.
